|Johan Rohde (1856-1935), originally a painter, was the first designer to collaborate with Georg Jensen. In 1906, Rohde approached the silversmithy to produce a coffee set which he had designed himself for his new home. The collaboration proved an enormous success with many of Rohde’s bowls, candelabras and coffee & tea services defining an era of classic silver hollowware design.|
Before becoming a designer for the studio, Johan Rohde was impressed by the craftsmanship of Georg Jensen. Their first collaboration dates from 1904, when Rohde commissioned Georg Jensen to make some objects for his own personal use. This collaboration was a great success for both sides. Rohde was impressed with Jensen’s talent and Jensen was impressed with Rohde’s own skilled eye for design. Based on their initial cooperation, Jensen asked Rohde if he would design subsequent products for Georg Jensen. Rohde became one of the brand’s earliest artist’s to lend their unique vision to the studio.
Johan Rohde designed serene, elegant products for the silver smithy, beginning in 1906. Rohde’s designs have much with in common with the designs of Georg Jensen himself–his pieces bear the same characteristic hammer marks and use the same oxidization technique.
Rohde’s designs, however, are much more highly stylized than Georg Jensen’s more natural Art Nouveau style. On the other hand, Johan Rohde’s design is not strictly Art Déco either–his designs are not purely geometric. Therefore, Rhode’s work falls somewhere between the two: a unique amalgam of Art Nouveau and Art Déco.
Rohde’s original works are symbols of a remarkable era in design, and represent the richness of the Georg Jensen legacy
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With a history that spans more than 100 years, the Georg Jensen brand represents quality craftsmanship and timeless aesthetic design, producing lifestyle products ranging from hollowware to watches, jewellery and home products.
The philosophy of Georg Jensen himself was to create democratic designs possessing both functionality and beauty. His artisanal skill and artistic talent combined with his continuous ability to identify and support design talent was the foundation on which he built Georg Jensen in Copenhagen in 1904.
Georg Jensen’s style embraced the Art Nouveau lines of the day but injected them with a distinctive vigour that continues to resonate today. Serene flowing forms are enriched by exquisitely sculpted ornamentation and his stylised bouquets of flowers and lush bunches of grapes reflect his sensual delight in nature. Our most important task is to leverage the ideas and principles of the master himself and translate these into the design of the present day.
The Georg Jensen brand is based on a number of shared values such as integrity, authenticity and Danish design. All resonating the Scandinavian values - the simplicity of life, the Nordic light, clean water and fresh air – and all capsulised in the Georg Jensen Vision, Mission and Values. Respecting our DNA and our values it is both our obligation and our opportunity to run a profitable business providing products relevant to the consumer of today.