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Snowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-Pack
Snowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-PackSnowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-PackSnowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-PackSnowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-PackSnowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-PackSnowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-PackSnowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-Pack
Snowball Votive, Set of 3 - Gift Boxed, Includes Clear Cup Tealight Candles - 40-Pack
Designed by Ann Wärff
Item #: OK-7067354
Kosta Boda | Sweden
Seasonal
$150.00
Quantity:
Availability: Ships from our Carmel-by-the-Sea Shop within 1-2 business days. Quantities Limited - Final Sale
  • Designer: Ann Wärff
  • Item #: OK-7067354
  • Availability: Ships from our Carmel-by-the-Sea Shop within 1-2 business days. Quantities Limited - Final Sale
  • Dimensions:
    SMALL: H: 2.35", Ø: 2.35", MEDIUM: H: 2.75", Ø: 2.75", LARGE: H: 3.5", Ø: 4.125"
  • Material:
    SNOWBALLS: Mouth Blown Glass. TEALIGHT CANDLES: 100% Rapeseed Wax, Eco-Friendly Recycled Clear Plastic Cups, Cotton Wick
  • Care:
    Hand Wash
  • Country: Turkey
  • The Snowball—the shape and crisp surface of the tealight holder evoke Swedish winters of old, These beautifully built snow lights illuminate the Swedish winter darkness. Designed by Ann Wolff 1973 and a Kosta Boda classic. The perfect gift from Sweden, and within Sweden.
    Ann WärffAnn Wärff was a founding figure in international "Studio Glass". During a career that to date spans forty years, she has worked as an engraver, a vessel maker, a sculptor, a stained glass artist, a water-colourist and a designer for industry. After studies at the Hochschule für Gestaltung in Ulm, she married Swedish glass artist Göran Wärff and worked with him as a designer at Pukebergs Glasbruk 1960-1964, and then at Kosta Boda 1964-1970. Ten years of discipline as a designer in the glass industry gave her practical and organisational skills that most of her colleagues in the glass world, particularly those outside Scandinavia, do not have. An account of her decision to use sandblasting and etching techniques on glass underscores her technical adaptability. In 1982 whilst staying with Harvey Littleton in North Carolina he taught her about printing from glass plates, a technique which resulted in some remarkable work from her. Ann's installation at the Ducal Palace in Venice was a transitional work with layered enamel painted glass sheets in dialogue with cast sculptural elements.

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