PH 5-4.5 Pendant Light
- The Designer
- The Maker
Poul Henningsen designed the three-shade system during 1925/1926. The first lights using the system were designed for an exhibition in Paris. His work with Louis Poulsen continued until his death in 1967. Throughout his life, PH sought to create glare-free lighting; aiming to direct light where it was most needed, and creating soft shadows while using incandescent bulbs as a light source. The four-shade system was launched in 1931 to create a fixture that could be mounted high up and serve as an alternative to the commonly used chandeliers. The PH four-shade fixture was designed to increase the amount of light emitted horizontally to provide greater illumination of walls and shelves than was possible using standard three-shade lights. It was removed from the Louis Poulsen standard range in the 1940s, but was redesigned in 1979 by Danish architects, Sophus Frandsen and Ebbe Christensen, for the Charlottenborg exhibition building in Copenhagen (although in a larger size: PH 6½-6). To resolve the never ending glare problem, the two architects decided to add a small blue shade to the design. They also included a new surface with a more matte, white painted shade, to achieve a more even, comfortable light, ideal for museums and exhibition rooms or as general lighting in rooms with high ceilings. A smaller version, the 5-4½, was created for the Aarhus Concert Hall in 1984.
- Brand:Louis Poulsen of Denmark
- Country: Denmark
- SKU: LP-5741928585-FJ
Light Source: 1/22W LED/A-21/MEDIUM
Shades: Spun Aluminum
Struts: Rolled Aluminum
Cord Type: 3-conductor, 18 AWG White PVC Power Cord
Cord Length: 12'
- Care:Surface Wash Only
- Designer:Poul Henningsen
- Dimensions:Ø: 18.3" x Height: 12.5"
He started practicing traditional functionalistic architecture, but over the years his professional interests changed to focus mainly on lighting which is what he is most famous for. He also expanded his field of occupation into areas of writing, becoming a journalist and an author. For a short period at the beginning of WWII, he was the head architect of the Tivoli Gardens project in Copenhagen. But like many other creative people, he was forced to flee Denmark during the German occupation but soon became a vital part of the Danish colony of artists living in Sweden.
His lifelong collaboration with Louis Poulsen began in 1925 and lasted until his death in 1967. To this day, Louis Poulsen still benefits from his genius. Poul Henningsen was also the first editor of the company magazine "NYT". The CEO of Louis Poulsen at the time, Sophus Kaastrup-Olsen, gave the magazine to PH as a gift after he had been terminated from another Danish newspaper - his opinions were too radical.
Poul Henningsen's pioneering work concerning the relationship between light structures, shadows, glare and color reproduction, compared to man's need for light, remains the foundation of the lighting theories still practiced by Louis Poulsen.
Louis Poulsen believes in passionate craftsmanship that produces quality lighting and design products that are pleasing to the eye and to the light. In close partnership with designers, architects and other talents like Poul Henningsen, Arne Jacobsen, Verner Panton, Øivind Slaatto, Alfred Homann, Oki Sato and Louise Campbell, Louis Poulsen has established themselves as one of the key global suppliers of high quality architectural and decorative lighting. Defying traditional product categories, their products serve and span the professional and private lighting markets for both indoor and outdoor applications.
Louis Poulsen's means are simple and beautiful design. The purpose is to create an attractive ambience that affects people and spaces. The Louis Poulsen Collection is designed to shape light and are a key decor and furnishings element to create a Scandinavian sensibility for the home and garden. These simple lines, sophisticated styling, and impeccable craftsmanship are the hallmarks of Louis Poulsen and are key values of Fjorn Scandinavian.