Louisiana Museum of Modern Art
Pipilotti Rist – Im Not the Girl who Misses Much (1986)
- Description
- Specifications
- The Maker
The video work, I'm Not the Girl Who Misses Much, is one of Pipilotti Rist's early, pioneering single-channel videos and the work is in the Louisiana collection. If you ask the artist herself, it is both her first official work of art—and the best.
At the exhibition in 2019, the internationally recognized contemporary artist had transformed the entire south wing of Louisiana into a brightly colored and sensory-saturated universe. For Louisiana, the museum's guests—and for Pipilotti Rist herself—the exhibition was the culmination of a long and very special relationship. Rist feels so connected to Louisiana, which was the first museum in the world to acquire one of her works for its collection.
She is actually christened Elisabeth Charlotte Rist, but already as a young woman took the stage name, Pipilotti, as a salute to Astrid Lindgren's anarchist and free-thinking Pippi Longstocking. Rist's art can seem both challenging and provocative, but at the same time also full of joy and humor.
- Brand:Louisiana Museum of Modern Art Denmark
- Country: Printed in Denmark
- SKU: LA-100491-FJ
- Material: Printed on paper.
- Dimensions:20.9" x 23.4"
From the beginning, the founder, Knud W. Jensen, intended for the museum to be a home for modern Danish art. But after only a few years he changed course, and instead of being a predominantly Danish collection, Louisiana became an international museum with many internationally renowned works.
Louisiana's close contact and collaboration with the international arts and cultural milieu has since been one of the museum's greatest strengths. And also one of the main reasons that it has been possible for Louisiana to present an exhibition program that has resonated so strongly with the public over the years. Louisiana has thus achieved a standing as one of the world's most respected exhibition venues, and in the future, it will be able to attract exhibitions and artists at a level that few other museums—either in Denmark or abroad—can match.
Knud W. Jensen put into action many of the period's visionary ideas about modern museum operation, including a desire for art to have a wide audience. It has always been the view at Louisiana that art is not just for an elite but includes experiences and visions for the many.
Why is it called Louisiana?
Many people wonder about the name of the museum. The short explanation is this—a nobleman and his three wives.
Knud W. Jensen chose to "take over" the name of the country house that he later converted to a museum. The property had been built and named in 1855 by Alexander Brun (1814-93), who was an officer and Master of the Royal Hunt and who married three women who were all named Louise.
Here at Louisiana, he was a pioneer in beekeeping and the cultivation of fruit trees.
From the beginning, it was Knud W. Jensen's vision to create a museum with soul, where the public could encounter artwork—not as something pretentious, but rather something that spoke directly to the viewer. And he emphasized the need for "supplementary content" that could help bring alive and enrich the environment: The more opportunities for experience that the program offers, the more Louisiana lives up to its idea—to be a 'musical meeting place' and a milieu that is engaged in contemporary life.
—Knud W. Jensen
